Tonal and "Anti-Tonal" Cognitive Structure in Viennese Twelve-Tone Rows [0.03%]
维也纳十二音列中的调性和“反调性”认知结构
Paul T von Hippel,David Huron
Paul T von Hippel
We show that the twelve-tone rows of Arnold Schoenberg and Anton Webern are "anti-tonal"-that is, structured to avoid or undermine listener's tonal schemata. Compared to randomly generated rows, segments from Schoenberg's and Webern's rows ...
General intelligence and modality-specific differences in performance: a response to [0.03%]
关于一般智能和特定模态表现差异的评论回应
Adam T Tierney,Tonya R Bergeson,David B Pisoni
Adam T Tierney
Tierney et al. (2008) reported that musicians performed better on an auditory sequence memory task when compared to non-musicians, but the two groups did not differ in performance on a sequential visuo-spatial memory task. Schellenberg (200...
Jacques Launay
Jacques Launay
This paper discusses the paradox that while human music making evolved and spread in an environment where it could only occur in groups, it is now often apparently an enjoyable asocial phenomenon. Here I argue that music is, by definition, ...
Adam T Tierney,Tonya R Bergeson-Dana,David B Pisoni
Adam T Tierney
The present study investigated a possible link between musical training and immediate memory span by testing experienced musicians and three groups of musically inexperienced subjects (gymnasts, Psychology 101 students, and video game playe...