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期刊名：Art history

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ISSN：0141-6790

e-ISSN：1467-8365

IF/分区：0.4/N/A

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共收录本刊相关文章索引21条
Clinical Trial Case Reports Meta-Analysis RCT Review Systematic Review
Classical Article Case Reports Clinical Study Clinical Trial Clinical Trial Protocol Comment Comparative Study Editorial Guideline Letter Meta-Analysis Multicenter Study Observational Study Randomized Controlled Trial Review Systematic Review
The matchless beauty of widowhood: Vittoria Colonna's reputation in nineteenth-century England [0.03%] 未亡人的绝世美貌——维多利亚·科隆娜在十九世纪英国的声望
L Ostermark-Johansen L Ostermark-Johansen
Art history. 1999;22(2):270-94. DOI:10.1111/1467-8365.00152 1999
Despoiled at the source [0.03%] 源头遭劫
R Zorach R Zorach
Art history. 1999;22(2):244-69. DOI:10.1111/1467-8365.00151 1999
Piranesi and Francesco Bianchini: "capricci" in the service of pre-scientific archaeology [0.03%] 吉贝尔蒂与弗朗西斯科·比安奇尼：“幻想”服务于前科学考古学
S M Dixon S M Dixon
Art history. 1999;22(2):184-213. DOI:10.1111/1467-8365.00149 1999
Government and the metropolitan image: ministers, Parliament and the concept of a capital city, 1840-1915 [0.03%] 政府与大都市形象：大臣、国会及首都概念（1840—1915）
M H Port M H Port
Art history. 1999;22(4):567-92. DOI:10.1111/1467-8365.00176 1999
"Beastly sights": the treatment of animals as a moral theme in representations of London, c. 1820-1850 [0.03%] “怪异景象”：动物待遇作为倫敦形象中倫敦1820—1850年的道德主题
D Donald D Donald
Art history. 1999;22(4):514-44. DOI:10.1111/1467-8365.00174 1999
Peripheral visions: alternative aspects and rural presences in mid-eighteenth-century London [0.03%] 伦敦十八世纪中叶的周边视野：替代视角与乡村元素
E McKellar E McKellar
Art history. 1999;22(4):495-513. DOI:10.1111/1467-8365.00173 1999
Aestheticizing the ancestral city: antiquarianism, topography and the representation of London in the long eighteenth century [0.03%] 美学化祖城：十八世纪英国的考古学、城市志和伦敦形象塑造
L Peltz L Peltz
Art history. 1999;22(4):472-94. DOI:10.1111/1467-8365.00172 1999
Dead animals and the beast machine: seventeenth-century Netherlandish paintings of dead animals, as anti-cartesian statements [0.03%] 死物与邪魔机械论：作为反笛卡尔声明的十七世纪荷兰动物静物画
N Wolloch N Wolloch
Art history. 1999;22(5):705-27. DOI:10.1111/1467-8365.00183 1999
"Whose colour was not black nor white nor grey, but an extraneous mixture, which no pen can trace, although perhaps the pencil may": Aspasie and Delacroix's "Massacres at Chios" [0.03%] “不是黑色也不是白色或灰色，而是一种无法用笔复制、或许只能用铅笔描绘的混合色”：阿斯帕西娅与德拉克洛瓦的《希俄斯大屠杀》
D G Grigsby D G Grigsby
Art history. 1999;22(5):676-704. DOI:10.1111/1467-8365.00182 1999
The figura sforzata: modelling, power and the mannerist body [0.03%] 力竭的身躯：建模、权力与风格主义的身体
M Cole M Cole
Art history. 2001;24(4):520-51. DOI:10.1111/1467-8365.00280 2001