Nina Martinez,Steven Mandel,Judith R Peterson
Nina Martinez
Hip pain in dancers is typically attributed to musculoskeletal etiologies due to local "wear-and-tear"; however, one must be aware of neurologic etiologies that may present with additional clinical findings and require specialized treatment...
Ruth Kern-Scott,Judith R Peterson,Patrick Morgan
Ruth Kern-Scott
Over the past decade numerous articles have been published regarding the hip labrum. Injuries to the labrum are becoming better understood as biomechanical, kinematic, and diagnostic technologies improve. When the last article on acetabular...
Judith R Peterson
Judith R Peterson
A kinematic approach to calculating ground reaction forces in dance [0.03%]
基于动力学原理计算舞蹈中人体支撑反作用力的方法研究
James Shippen,Barbara May
James Shippen
A technique that can be used with dancers for the calculation of ground reaction forces in the absence of force plates is described. The ground reaction forces are required for analyzing potentially injurious activity within the dancer's bo...
Effects of kinesthetic versus visual imagery practice on two technical dance movements: a pilot study [0.03%]
动作意象与视觉意象在两种舞蹈技术动作中的影响：一项初步研究
Elizabeth Coker Girón,Tara McIsaac,Dawn Nilsen
Elizabeth Coker Girón
Motor imagery is a type of mental practice that involves imagining the body performing a movement in the absence of motor output. Dance training traditionally incorporates mental practice techniques, but quantitative effects of motor imager...
Differences in segmental coordination and postural control in a multi-joint dance movement: développé arabesque [0.03%]
多关节舞蹈动作Developpée Arabesque中的节段协调和姿态控制的差异
Shaw Bronner
Shaw Bronner
Analysis of skill at multiple points on the learning continuum provides insight into how complex limb and postural organization is modified with extended practice. Dancers at three skill levels were compared performing a domain-specific mov...
Injuries in professional modern dancers: incidence, risk factors, and management [0.03%]
职业现代舞者的伤病：发生率、影响因素及处理方式
Selina Shah,David S Weiss,Raoul J Burchette
Selina Shah
Modern (or contemporary) dance has become increasingly popular, yet little has been reported with respect to modern dance injuries and their consequences. The purpose of this study is to define the incidence, risk factors, and management of...
Effects of voice enhancement technology and relaxing music on the frequency of imagery among break dancers [0.03%]
声优增强技术与轻松音乐对打破舞者想象频率的影响
Costas I Karageorghis,Danielle L Smith,David-Lee Priest
Costas I Karageorghis
A device was developed in 2008 by Hypnoke International Ltd. for use by performance consultants and hypnotherapists. It enhances a practitioner's voice and blocks out auditory distractions while delivering imagery inductions, thereby increa...
Upper-body muscular endurance in female university-level modern dancers: a pilot study [0.03%]
一名大学水平的现代舞者的上半身肌肉耐力：一项初步研究
Jatin P Ambegaonkar,Shane V Caswell,Jason B Winchester et al.
Jatin P Ambegaonkar et al.
Physical demands vary among dance styles, and injury patterns differ accordingly. Modern dance tends to be high in upper-body demands, and university-level female modern dancers are suggested to be at high risk for upper-body injury. Low mu...
The use of stabilization exercises and movement reeducation to manage pain and improve function in a dancer with focal degenerative joint disease of the spine [0.03%]
稳定训练和运动再学习在患有脊柱局部退行性关节病的舞蹈演员中的应用以管理疼痛及改善功能
Marshall Hagins
Marshall Hagins
Little has been written about rehabilitation of low back pain (LBP) specific to the professional dancer. However, there is a rapidly increasing amount of rehabilitation research related to the care of LBP in the general population that may ...