Joel Christian Gill
Joel Christian Gill
Catherine Belling
Catherine Belling
Editor's Foreword [0.03%]
编者前言
Michael Blackie
Michael Blackie
Race, Gender, and Genetic Privacy in Kay Redfield Jamison's An Unquiet Mind and Meri Nana-Ama Danquah's Willow Weep for Me [0.03%]
凯·雷德菲尔德·贾米森的《不安的心》与梅伊·纳纳-玛·丹夸的《为我哭泣，柳树》中的种族、性别与基因隐私
Sarah Hagaman,Jay Clayton
Sarah Hagaman
This essay analyzes two 1990s memoirs of women struggling with hereditary mental illness, who express anxiety about revealing their conditions and about whether their revelations will violate the privacy of their close relations. Midcentury...
Jane Y Zhang
Jane Y Zhang
Hydropathy, a popular medical sect in mid-nineteenth-century America, utilized cold water to prevent and treat various ailments. At a time when cold exposure was linked to sickness, how do we account for the widespread appeal of the cold wa...
"The Shock Which the Sound Produced": Bodies, Trauma, and the Audible World in Charles Brocken Brown's Wieland [0.03%]
“声音带来的震撼”——布朗的《威尔德》中的身体、创伤与听觉世界
Kristie A Schlauraff
Kristie A Schlauraff
Charles Brockden Brown's Wieland (1798), considered the first American novel, represents the emergent nation's social, political, and architectural landscape as fundamentally shaped by sound. Yet, while voice has garnered much critical atte...
Juliane Römhild,Sara James
Juliane Römhild
This article outlines the findings from research project into community reading groups (Shared Reading) at La Trobe University, Melbourne. Evaluating the potential of Shared Reading to aid in the societal recovery from extensive lockdowns d...
Darby Wood Walters
Darby Wood Walters
In The Last Man, Mary Shelley relies on theories of Romantic medicine that give her an unconventional way to conceptualize and narrate time and space. For the Romantics, organs, bodies, and communities were all intimately connected through ...
Scapegoat, Superspreader, Slut: Promiscuity and the Myth of Patient Zero in Soderbergh's Contagion (2011) [0.03%]
替罪羊、超级传播者和荡妇：索德伯格《传染病》（2011）中关于零号病人与滥交的神话
Rachel Conrad Bracken
Rachel Conrad Bracken
Steven Soderbergh's pandemic thriller Contagion (2011) remains a timely meditation on the global capitalist networks and quotidian, interpersonal interactions through which infectious disease spreads, with reviews and analyses of the film c...