Heavenly Networks. Celestial Maps and Globes in Circulation between Artisans, Mathematicians, and Noblemen in Renaissance Europe [0.03%]
天界网络——文艺复兴时期欧洲工匠、数学家和贵族间流通的天体地图与地球仪
Samuel Gessner
Samuel Gessner
The aim of this paper is to examine the iconography on a set of star charts by Albrecht Dürer (1515), and celestial globes by Caspar Vopel (1536) and Christoph Schissler (1575). The iconography on these instruments is conditioned by strong...
Perfect in Every Sense. Scientific Iconography on an Equation Clock by Jost Bürgi and the Self-Understanding of the Astronomers at the Kassel Court in the Late 1580s [0.03%]
尽善尽美的科学图标：乔斯·比尔吉的等时钟及其在16世纪80年代晚期卡塞尔宫廷中的象征意义
Karsten Gaulke
Karsten Gaulke
At the center of this article is an iconographic analysis of the eight silver reliefs on the sides of a table clock made in 1591 by Jost Burgi, the court clockmaker of Landgrave Wilhelm iv of Hessen-Kassel. The reliefs present an astronomic...
"Perhaps Irrelevant". The Iconography of Tycho Brahe's Small Gilt Brass Quadrant [0.03%]
“也许无关紧要”——第谷小铜镀金象限仪背后的图标学意义
Emma L Perkins,Liba Taub
Emma L Perkins
When Tycho Brahe published a description of his astronomical instruments in 1598 as part of a strategy to procure royal patronage, it was not with one of his grander, precision measurement tools that he opened his account, but rather a smal...
Arianna Borrelli,Michael Korey,Volker R Remmert
Arianna Borrelli
Alchemy in Cambridge. An Annotated Catalogue of Alchemical Texts and Illustrations in Cambridge Repositories [0.03%]
剑桥的炼金术：藏于剑桥馆藏机构中的手稿与插图目录及注释
Anke Timmermann
Anke Timmermann
Alchemy in Cambridge captures the alchemical content of 56 manuscripts in Cambridge, in particular the libraries of Trinity College, Corpus Christi College and St John's College, the University Library and the Fitzwilliam Museum. As such, t...
Andrea Candela
Andrea Candela
At the beginning of the 20th century the collective imagination was fascinated and terrified by the discovery of radium. A scientific imagery sprang up around radioactivity and was disseminated by public lectures and newspaper articles disc...
The Coral of Death. Kunst- und Wunderkammern between Temporality and Allegory [0.03%]
死亡的珊瑚。时间和寓意中的艺术与奇观陈列馆
Alessandro Ottaviani
Alessandro Ottaviani
The aim of this essay is to show the existence of a substantial discontinuity between the Kunst- und Wunderkammern phenomenon and the practice of both eclectic and specialised collecting in the 18th century. A more detailed examination of t...
Domenico Cirillo's collections. A recently rediscovered 18th-century Neapolitan herbarium [0.03%]
多梅尼科·奇里洛的藏品：一本近期被重新发现的十八世纪那不勒斯地区植物标本集
Massimo Ricciardi,Maria Laura Castellano
Massimo Ricciardi
The herbarium of the 19th-century Neapolitan botanists Vincenzo and Francesco Briganti was acquired by Orazio Comes in 1892 for the Royal Higher School of Agriculture in Naples. Based on a study of the handwriting on their labels, Comes con...
Colouring the human landscapes. Lennart Nilsson and the spectacular world of scanning electron micrographs [0.03%]
着色的人类景观。Lennart Nilsson及其扫描电子显微图像的壮观世界
Solveig Jülich
Solveig Jülich
This article explores the relationship between Swedish photographer Lennart Nilsson's scanning electron micrographs and commercial culture from the late 1960s to the mid-1980s. By retracing how Nilsson's micrographs of the internal structur...
Imaging the experiments on respiration and transpiration of Lavoisier and Séguin: two unknown drawings by Madame Lavoisier [0.03%]
拉瓦锡和塞贡有关呼吸与蒸腾作用实验的绘画：来自拉瓦锡夫人的两幅佚名画稿
Marco Beretta
Marco Beretta
This paper presents two hitherto unknown drawings by Marie-Anne-Pierrette Lavoisier dating to the early 1790s that illustrate the experiments on respiration and transpiration of her husband Antoine-Laurent Lavoisier and his assistant Armand...