Journal of Screenwriting. 2015;6(1):9-22. doi: 10.1386/josc.6.1.9_1 N/A0.22025
From ‘What Can be Seen and Heard’ to ‘What Can be Sensed and Thought’: Almodovar’s moving textuality in the screenplay of Todo sobre mi madre/All about my Mother (1999)
DOI: 10.1386/josc.6.1.9_1
摘要
