Journal of Screenwriting. 2011;2(1):85-98. doi: 10.1386/josc.2.1.85_1 N/A0.22025
The plot point, the darkest moment, and the answered question: three ways of modelling the three-quarter-point
DOI: 10.1386/josc.2.1.85_1
摘要
Journal of Screenwriting. 2011;2(1):85-98. doi: 10.1386/josc.2.1.85_1 N/A0.22025
DOI: 10.1386/josc.2.1.85_1
摘要