Word & Image. 1997;13(1):43-57. doi: 10.1080/02666286.1997.10434266 N/A0.12025
Subversion through historical association: Canova's Madame Mère and the politics of Napoleonic portraiture
DOI: 10.1080/02666286.1997.10434266
摘要
Word & Image. 1997;13(1):43-57. doi: 10.1080/02666286.1997.10434266 N/A0.12025
DOI: 10.1080/02666286.1997.10434266
摘要