Word & Image. 2009;25(4):363-383. doi: 10.1080/02666280902778165 N/A0.12025
‘The surest measure of perfection’: approaches to imitation in seventeenth-century French art and theory
DOI: 10.1080/02666280902778165
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Word & Image. 2009;25(4):363-383. doi: 10.1080/02666280902778165 N/A0.12025
DOI: 10.1080/02666280902778165
摘要 查看摘要